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Wednesday, 29 August 2012

INTROducing.....Katie Greengrass: Costume Designer & Fashion Stylist



Give us 3 words that describe you best:
Hardworking, creative, intense!


So, can you tell us what it is you actually do?
I am a Costum Designer and Stylist working in music, editorial and film. My main clients are the director, songwriter and musician Plan B and singer, model and Britain’s Got Talent judge Alesha Dixon


...and you're how old?!?!
31


Nice! How did you get into this?
I started out doing unpaid work experience as a fashion assistant in magazines and newspapers and as a tv runner, I built up my contacts and experience doing that and then worked my way up.

What’s the most exciting thing you've done in your career so far?

Working as Costume Designer on Plan B’s first feature film “Ill Manors” was a personal highlight, the cast and crew were all relatively unknown but we all worked really hard and felt very passionate about the film and I am really proud to have worked on it. Ben Drew (Plan B) is an amazing talent and I am very lucky to have had the opportunity to have worked with him on so many inspiring projects.


What’s been your dullest job?
Working in a gift shop to pay my rent whilst I was doing work ex wasn’t the most exciting. It was crosswords, gift wrapping and listening to XFm 8 hours a day!


Where do you look/go for inspiration?
Anywhere really, paintings, history, iconic images, people I admire, sometimes music, packaging or billboards or pages from magazines I tear out. I do a lot of online picture research too.

What took the most balls?
Dressing 70 odd musicians/actors/dancers for the Plan B on stage riots at the Brits was an amazing but hair-raising experience. I had two cracked ribs and thirty riot police to contend with and had to live quick change Ben Drew in 22 seconds on national television!

The best advice you have for new graduates about to go into the 'real world’ is....
Work hard and always be nice to everyone, you never know who you might meet again on your way up or down as the case may be…


Monday, 20 August 2012

Shourouk























Urgggh! Want & need one of these pieces- Shourouk

CAute Illustrations of Mattias Adolfsson

 Cake?
 Sj√∂bod
 Handybots.
 When robots rule the world.
 Track & field.
The royal playground.
Visit Mattias Inks here for more great illustrations. 

Yessss

Devotion



As you may have guessed we are BIG fans of the gorgeous Jessie Ware. Her album Devotion is out today and having spent all weekend jamming to it in the garden we highly recommend you get yourself a copy and get singing along to bangers like Night Light, Still Love Me, Taking in Water.... beautiful and timeless.




Wednesday, 15 August 2012



             If you listen to anything on the beach this summer.... let Jessie Ware's DEVOTION be the one <3

Tuesday, 7 August 2012

INTROducing....Jocelyn Lloyd: Designer for i-D Magazine & Florist!



Oh Hey! How are you??

Excellent, really very good, thank you.

Give us 3 words that describe you best:

Patient, Persuasive and Pedantic.


So, can you tell us what it is you actually do?

I’m the designer at i-D magazine. I am also a partner in JamJar Flowers, my sideline project.


…and you're how old?!?!

29

Nice! How did you get into this?

I studied graphics at the Surrey Institute of Art and Design and worked my way through a string of graphic related jobs trying my hand at allsorts, before meeting Art Director Kate Law, during a work placement at Elle. She had been i-D’s Art Director and was returning to the position and asked me to go with her. It was a great opportunity and now I get to work with the one and only Mr Terry Jones, who was and still is one of my graphic heroes. The rest of my colleagues here are fantastic and incredibly talented, so I feel very lucky to be part of such a creative team. 

The flower business came from my love of the garden and being outside. I couldn’t sit in front of a Mac everyday and working with flowers delivers the same satisfaction as design – it’s an extension, working with shape and colour. So I split my time between the two, which is exhausting but more rewarding.

What’s the most exciting thing you've done in your career so far?

i-D’s amazing, because you arrive at work in the morning and some one will ask you – do you fancy going to this… there’s a screening of this… can someone go to this opening? Which if you have the energy after a (very) long day is very cool. But some of the highlights have been meeting my creative heroes, Tim Walker, Neville Brody, Nick Knight, Paolo Roversi, Kylie…


What’s been your dullest job?

You don’t just walk into an Art Department, you have to put in the laborious work of scanning, resizing etc for the people that you want to work with. I worked at a model agents for a couple of years, running their art department which was great, but I did so much scanning, I have a phobia of it now.


Where do you look/go for inspiration?

I find that I have a few key books that I always go back to. Wink – by Terry Jones, Flora by Nick Knight, anything by Richard Hollis. But inspiration comes from absolutely everything. Galleries and online are great but everything around us has been designed, a book, a chair, a phone, a piece of packaging. To coin an i-D phrase ‘Open Your Eyes’.


What took the most balls?

Moving to Switzerland with a boyfriend, to live in the mountains and edit ski films for schools. It was a bit of a blag as I had never edited or snowboarded before, so definitely a gamble. But it was brilliant.

The best advice you have for new graduates about to go into the 'real world’ is…

Work experience! Try everything and make an impression, at i-D we always remember the people who ask questions and take an interest. Offering to help and doing things without being asked will get you far.

Arrogance will make you more enemies than admirers and manners are everything and retaining them under pressure is a skill. Working on a magazine, the art
department is the last stop before print, so if others haven’t kept to their deadlines,(which happens constantly), it effects you massively! 

Also when designing, always assume there is a mistake in your final piece. This sounds negative, but it forces you to check and check again and I guarantee you will find something. Perfection is key when it comes to print as it’s expensive to rectify.




**Make sure to pick up the latest copy of i-D & checkout some beautiful floristry here.**

South Korean Art: Saatchi Gallery, Part 1











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